Ringo Starr - Old Blood (1979)

Following the Beatles' temporary hiatus, Ringo Starr spent most of 1979 hiring musicians and old friends to make an album of his own. He had made an album of traditional pop classics titled Sentimental Journey back in 1970, but that was more of a passion project. This would establish him as a pop act of his own, showing the world that he didn't need the other Beatles. The first people Ringo phoned for the project were the other Beatles, with David Bowie, Paul McCartney, George Harrison and even John Lennon agreeing to help in some capacity. McCartney wrote and played on "Pure Gold", Harrison on "When Every Song Is Sung", Bowie played on his cover of "Bad Boy", and Lennon played piano on "Cookin' (In the Kitchen of Love)". Eric Clapton also wrote "This Be Called a Song" for Starr to sing. Starr's longtime friend Vini Poncia produced the sessions. The title came about from a newspaper article Starr had read back in 1976. Complaining about the large amount of old acts that were charting, the piece said that the music scene needed "new blood". Ringo, hardly new to the industry, called his album "Old Blood" in response. Going along with the theme, the album cover shows Ringo tattered in blood, somewhat controversial at the time.

The album released on November 9, 1979 to little attention from the public, largely due to an absence of advertising. The album has never been seen as much good other to a select few fans, and most consider it a missed opportunity for the drummer to show off his skills. He would release a follow-up titled Ringo's Second in 1982 that would get similarly little attention.

RINGO STARR - OLD BLOOD
Released: 9 November 1979
Genre: Rock, disco
Producer: Vini Poncia

Side A
Drowning in the Sea of Love
Who Needs a Heart
Bad Boy
Pure Gold
You Don't Know Me at All

Side B
Cookin' (In the Kitchen of Love)
This Be Called a Song
When Every Song Is Sung
Tonight
A Simple Love Song

Track list sources:

All tracks are sourced from Ringo's Rotogravure, Ringo the 4th, and Bad Boy. "When Every Song Is Sung" is "I'll Still Love You" from Ringo's Rotogravure.

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Rockestra - Rockestra (1979)

Paul McCartney just couldn't sit still for even a minute. He and everybody else knew it. He always had to be doing some sort of work. So when the Beatles temporarily broke up in February 1979, his mind started racing. He used the majority of the year to organize a series of benefit concerts called "Concerts for the People of Kampuchea". In the same vain as his bandmate George Harrison's "Concert for Bangla Desh" eight years prior, the money from the concerts would go to victims of war-torn Cambodia. Along with Kurt Waldheim, the Secretary-General of the United Nations, McCartney managed to get a series of well-known stars, both old and new, to perform. These included The Who, Queen, Elvis Costello and The Clash, all of which were still making hits. But it would the last star to become involved that would make headlines. Fresh out of Berlin and a short world tour, David Bowie had settled down in New York City. Drug-free and in his best years, he decided to check up on an old friend after reading the paper. McCartney was reluctant to have Bowie perform following his less than amicable leave from the Beatles three years prior. But, eventually, he would be allowed to perform a set of his own. Fans became excited and rumors spread that George Harrison and Ringo Starr had also agreed to perform, but alas, they were all just rumors.

McCartney would perform a set with his backing band Wings, former Beatles Linda McCartney and Denny Laine as well as two other new members. He would later call this performance awful and it would end up being one of the last concerts where McCartney would play with Wings. The concerts would prove to be a success in the end. At the end of the final concert, McCartney, Wings, Pete Townshend of the Who, Bowie, and many other musicians there that day would perform a small set as "Rockestra", billed as Earth's Biggest Band. This specific performance would also be received well, but it also made people curious as to what else the band would do, if anything. Originally a one time thing for the concert, Bowie persuaded McCartney to work with him again, citing an eagerness to work with synths. Townshend and John Bonham of Led Zeppelin would join them, and Townshend would later invite David Gilmour of Pink Floyd to make the greatest five-some any rock fan had ever seen.

Truth be told, other than McCartney and Bowie, it took time for the band to know each other's styles well. This combined with the fact that Gilmour brought no songs with him after the release of his first solo album meant that work had to be done on new (and sometimes old) material. Bowie brought forth "Sound and Vision" a song he had originally saved for his eventually return to the Beatles. Bowie thought it worked well alongside McCartney and Townshend's own experimental work. The lead single was obviously going to be Townshend's "Let My Love Open the Door", a song all of them knew would be an instant hit. Recording finished in November 1979, and the album, self-titled, was released on December 16, 1979. People immediately liked what they heard, and thought the album contained a good mix of all of their own styles. They also thought that the album was superior to the Beatles' Going Faster, not even a year old yet. But it had an unforeseen effect that no one else realized at the time. 

John Lennon, now 39 years young and almost four years into retirement, was sitting on his couch as he had many times before. His son, Sean, was upstairs and his wife, Yoko Ono, was out for the day. He had a guitar in hand and he was listening to his radio. All of a sudden, the DJ announced a new single called "Getting Closer" by a band called Rockestra, a name Lennon had never heard before. As the song started, Lennon dropped his guitar all at once. "Fuck a pig, that's Paul!" he said out loud. He had been out of the music scene for so long, this now months old album had completely evaded him somehow. He read a review of the album in the paper and saw the name "David Bowie" along with McCartney's. They were working together again and he hadn't even known it. For Lennon, this was the last straw. By now, he had a collection of songs he had written plus plenty of inspiration. He and Ono had been subjected to new wave music, something they were both interested in, and he was planning a trip to Bermuda with his family. There was inspiration abound! And now all this. And so, after some deep thought, Lennon picked up the phone and dialed a number he knew all too well. "This will be worth it", he said to himself. "It'll be just like starting over".

ROCKESTRA - ROCKESTRA
Released: 16 December 1979
Genre: Rock, hard rock, experimental rock, synth-pop
Producer: Paul McCartney, Chris Thomas

Side A
Rockestra Theme
Empty Glass
Getting Closer
No Way Out of Here
Old Siam, Sir

Side B
Sound and Vision
Let My Love Open the Door
Temporary Secretary
African Night Flight
I Like Nightmares
So Glad to See You Here
Boys Keep Swinging

Track list sources:

McCartney's tracks are all from Back to the Egg, with the exception of "Temporary Secretary", from McCartney II. All of Bowie's tracks are from Low and Lodger. Townshend's tracks are from Empty Glass with "I Like Nightmares" being a bonus track from The Who's Face Dances. Gilmour's one song is from his self-titled 1978 album.

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The Beatles - Going Faster (1979)

After the middling success of The Wings of an Eagle, Paul McCartney knew it was time for another change in sound. In the late 60s up until the mid 70s, musical style changes came very naturally to the band, and it progressed as time went on. Times were different now, two of the members from that period of time were gone, and they had just released their worst selling album ever. Too little time had passed to let the sound change on its own, so McCartney decided to force change on them. In September 1978, Blondie released their third album Parallel Lines. McCartney first listened to it on the day of release and instantly fell in love with the record, especially its standout song "Heart of Glass". McCartney wanted the Beatles to make an album like that, album full of new wave/disco tunes that would be accessible to all ages. Recording started a month later, and there was immediate backlash to the new change in style by George Harrison and Denny Laine (Linda McCartney had left a few months prior, mostly due to lack of interest in the band and to focus on her and Paul's family). As a middle ground, the band settled on a mostly rock-based record with some funk and disco aspects thrown in for good measure. Recording for the album was done surprisingly fast, with the band only needing not even a month to record ten songs. The threshold of songs that were brought in by each member was also surprisingly low; there wasn't many songs recorded outside of the ten that made it on the album.

The resulting album, and the successor to The Wings of an Eagle, was Going Faster, released January 15, 1979, to a different reaction then what McCartney was hoping. The album bombed like no other Beatles album had before, and critics agreed it was due to the forced change in direction. No Beatles fan wanted a disco album and it showed. While The Wings of an Eagle still sold less, Going Faster was easily the bigger failure, with the album's single "Blow Away", barely reaching the top 40. In later years, acclaim for the album would grow some, but would still be seen as a lesser release. McCartney conceded, and he, along with the rest of the band, decided it would be better if the band took an extended hiatus to focus on themselves. They weren't breaking up, but they agreed to spend some time apart from each other to better themselves. Perhaps when they returned to the studio, they would be joined by two old friends.

THE BEATLES - GOING FASTER
Released: 15 January 1979
Genre: Rock, disco, synth-pop
Producer: The Beatles, Chris Thomas

Side A
Faster
With a Little Luck
It's No Secret
 Again and Again and Again
Blow Away

Side B
Goodnight Tonight
Flying Hour
Daytime Nighttime Suffering
If You Believe
Spin It On

Track list sources:

McCartney and Laine's tracks are sourced from Back to the Egg and 7" Singles ("With a Little Luck" is the DJ edit). Harrison's tracks are from George Harrison and the reissue of Somewhere in England. And Ringo's sole track is from Ringo the 4th. "Reception" from Back to the Egg is an unlisted track that comes before "Faster".

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David Bowie - Despite Straight Lines (1978)

Things were looking up for David Bowie. His heavy drug addiction was in the past, the so-called "Bowie ban" by his label, RCA had concluded, and he was once again in the studio with his friend Brian Eno to record the follow-up to Day and Night. About half of the songs had already either been written or recorded by the time of the previous album's release, so he already had something to work with. They got to work in late March 1978, searching for new themes to go with. As the previous album was composed entirely of instrumental soundscapes, this album would contain relatively conventional songs with Bowie's voice present throughout most of it, although the instruments and sounds used in Day and Night would still be very prevalent here, plus even more.

As the sessions went on, Eno introduced something to Bowie that would completely change the course of recording: a deck of cards Eno produced himself called "Oblique Strategies". These cards were made to promote creativity for musicians in often unorthodox ways and encourage lateral thinking. Examples included having musicians swap instruments and introducing melodies of previously discarded songs. This turned Bowie's mind upside-down, and it allowed him to once again change his sound, even as the sessions were still ongoing. By the time recording for the now double album was finished, Bowie had retired the electronic and ambient style that he had used for the last year for art rock inspired by world and new wave. Bowie took advantage of this change in sound and sequenced the album so as to make the change gradual. The beginning would be the same electronic sounds used in Day and Night, but by the end, fans would be introduced to a new David Bowie.

The album released on September 29, 1978. Almost immediately, fans were much more keen to praise this album then his previous one. Critics saw it as a fitting chapter two, and today it is seen as a universal masterpiece. Over time, fans started calling Bowie's Day and Night, Iggy Pop's The Idiot and Bowie's Despite Straight Lines the Berlin Trilogy, as they were all recorded together in Berlin and all three have a somewhat similar sound.

DAVID BOWIE - DESPITE STRAIGHT LINES
Released: 29 September 1978
Genre: Art rock, experimental rock, electronic, ambient, avant-pop, world, new wave
Producer: David Bowie, Tony Visconti

Side A
Speed of Life
Beauty and the Beast
Joe the Lion
Breaking Glass
What in the World
Sons of the Silent Age

Side B
Fantastic Voyage
Always Crashing in the Same Car
Wild Is the Wind
Be My Wife
All Saints

Side C
DJ
Move On
Red Sails
Repetition
Blackout

Side D
Alabama Song (Whiskey Bar)
Yassassin (Turkish for: Long Live)
Red Money
Scream Like a Baby
The Secret Life of Arabia

Track list sources:

All tracks are sourced from Low"Heroes" and Lodger, with the exception of "All Saints" and "Fuji Moto San" ("Crystal Japan"), both sourced from the All Saints compilation.

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Intermission: The Zion Sessions (2024)

By the time that the Beatles had finished their world tour in early 1974, they had already begun working on a successor album to Ziggy Stardust and His Band on the Run. And while the album in question would, over time, turn into Future Legend - Music from the Curiosity Shoppe, a classic Beatles album now, it originally started off quite different. Now known as The Zion Sessions, named after a working title of "Sweet Thing", a song that would be worked on throughout the early recording of the album but would eventually go unused, this would have accompanied the "Nineteen Eighty-Four" movie that the band was supposed to star in. When plans for the movie fell through, plans for the album were also changed, and the Beatles decided to go for a more eclectic, varied style of music that would assist in their transition to funk rock starting with Gouster. However, it was well known through the music scene that there were plenty of unreleased outtakes from these early 1974 sessions, and as the 70's became the 80's, people began to get their hands on these outtakes in the form of bootlegs. These bootlegs, taking differing titles such as ZionTragic Moments and others, were spread around record stores across the country, and in later decades, the internet and various message boards.

Finally, in 2024, Apple Corps. announced that the Tragic Moments outtakes would be officially released as part of Future Legends' 50th Anniversary edition. The set was released a little over the album's 50th anniversary on June 7. While the name of this collection proved controversial upon its announcement, fans realized how important this was to understanding where the band was at the time musically. Most of the songs were simply outtakes of previously existing songs, but a select few were brand new to many listeners. The vinyl boxset of the 50th Anniversary edition kept the heron engraving on Future Legend's disc, a reference to John Lennon's favorite bird.

THE BEATLES - THE ZION SESSIONS
Released: 7 June 2024
Genre: Rock, glam rock, art rock
Producer: The Beatles

Tracklist
Sweet Thing
Bless You
Let Me Roll It
Dodo
Whatever Gets You Thru the Night
4th of July
Steel and Glass
Mama's Little Girl
Candidate
One More Kiss
1984/Dodo
Goodnight Vienna