The Beatles - Hunky Dory (1971)

The Man Who Sold the World was received well but wasn't considered anywhere near as good as Space Oddity. The Beatles knew it was evident that they needed another album that would reestablish them as the forefront of the music scene. The hard rock bend of their previous album wore out their desire to continue on with that style. So, as the Beatles usually did, their next album would be a complete change of pace. Regular producer George Martin returned, and David Bowie recommended Ken Scott to help with the stripped-down sound they wanted to achieve. Tons of songs by all band members (now down to four due to George Harrison's departure) would be recorded, most going unused for the album. Bowie's songs were inspired by his recent trip to the United States, and more than half of them would go unused for the next year or so. When the album was completed, the band knew they had a masterpiece on their hands.

They were proven right when the album, Hunky Dory (named as such due to the laid back nature of the sessions and the band members' relationships with one another), released on December 7, 1971 to rave reviews. The lead single "Changes" was considered their best single since "Space Oddity", and the second single "Imagine" was considered even better than both, with many considering it one of the best Beatles songs ever. Many saw the album as a sequel to Space Oddity, even though the band didn't see it that way. Today, a top 5 Beatles albums list is incomplete if Hunky Dory isn't included.

THE BEATLES - HUNKY DORY
Released: 7 December 1971
Genre: Piano rock, singer-songwriter, pop rock, glam rock
Producer: George Martin, Ken Scott

Side A
Changes
Another Day
$15 Draw
Remember
Bombers
Working Class Hero
Tomorrow

Side B
Too Many People
Oh My Love
Oh You Pretty Things
Long Haired Lady
Imagine
Life on Mars

Track list sources:

All of Bowie's songs are from Hunky Dory, with the exception of "Bombers" from Divine Symmetry. The rest of the songs are from Ram (Archive Collection), Beaucoups of Blues, John Lennon/Plastic Ono Band, Wild Life, and Imagine.

Back cover


The Beatles - The Man Who Sold the World (1970)

Following the release of the Beatles' newest masterpiece, Space Oddity in late 1969, the band planned on going their separate ways to give themselves some alone time. John Lennon used his time off to spend time with his new wife, Yoko Ono, in London as well as taking primal scream therapy classes in Los Angeles. Paul McCartney spent time with his wife Linda as well as his children on a farm he bought in Scotland. George Harrison had recently bought Friar Park, a Victorian mansion, where he moved in with his wife Pattie Boyd. Ringo Starr also took the time to spend with his family. But David Bowie, his star ever-rising, used his time off recording and playing live with his side band Hype. Along with guitarist Mick Ronson and drummer Woody Woodmansey, he played local clubs to hone his new material that he would later showcase to the other Beatles. His new recordings would mark a new phase in the Beatles' history.

The Beatles would reconvene in mid 1970 to record a new album. All band members, with the exception of Ringo, brought new songs to the sessions, but Bowie was the one that the rest of the band would listen to. After all, it was "Space Oddity" that carried their previous album. He had the potential to become a hit-maker, and the rest of the band knew that, regardless of how happy they were with it. While Lennon, McCartney and Harrison's new songs were varied in composition and style, most of Bowie's songs had a hard rock feel to it, no doubt inspired by new bands like Led Zeppelin and Black Sabbath. Lennon, McCartney and Harrison decided to use their songs that best fit with Bowie's for the album, and the stage was set for their next masterpiece. In addition to George Martin returning, Bowie brought on his own partner Tony Visconti to help produce the album.

Lennon's song "Instant Karma!" was chosen as a non-album A-side that would release prior to the album due to its jauntiness. George's "Awaiting on You All" was original chosen to be its B-side, but would be replaced with Bowie's "Running Gun Blues" after its recording was finished. For Harrison, this was the final straw. He had been tossed around as a songwriter before Bowie had joined and even more so after. He couldn't even believe that Lennon and McCartney would allow Bowie to have the most vocals on the album. He had so many bottled-up ideas that he couldn't get across because Lennon and McCartney would repeatedly block his efforts. So in October 1970, a month before the album's release, George Harrison would leave the Beatles. News would not get out until the release of the new album so as not to damper its sales.

The album, The Man Who Sold the World would release on November 27, 1970. Reviews were initially extremely positive, as always, but the news that Harrison had left the band put a damper on sales, as was expected. Some would leave the Beatles fanbase, but most would stay to hear what the band would put out next. Retrospectively, the album is considered another one of their best but certainly not as good as their previous album. From then on, the Beatles would return to being a foursome with another project on the horizon. George Harrison, meanwhile, would start crafting his own record, so as to make a name for himself.

THE BEATLES - THE MAN WHO SOLD THE WORLD
Released: 27 November 1970
Genre: Blues rock, pop rock, art rock, hard rock, psychedelic rock
Producer: George Martin, Tony Visconti

Side A
The Width of a Circle
I Me Mine
Oh Woman, Oh Why
All the Madmen
Let It Down
Valentine Day [hidden track]

Side B
Cold Turkey
Junk
After All
The Art of Dying
Maybe I'm Amazed
The Man Who Sold the World
Well, Well, Well

Track list sources:

Songs are sourced from The Man Who Sold the World, Let It Be, Ram (Archive Collection), All Things Must Pass, McCartney, and John Lennon/Plastic Ono Band (Ultimate Collection). "Well, Well, Well" is Take 2.

The Beatles - Space Oddity (1969)

Following the release of Get Back and their return to live performances, The Beatles were in the mood to write and record together. This would be the first recording sessions since The Beatles in early 1968 to have no large conflict whatsoever. David Bowie would be thanked for that, bringing John Lennon, Paul McCartney and George Harrison together in a way that would benefit the group as a whole. Bowie would also be to blame for their next single and the band's biggest song since "Hey Jude". On 25 July 1969, the Beatles would release "Space Oddity", just in time for the Apollo 11 Moon landing, which had concluded the previous day. The song would be an immediate smash hit and would be the impetus for the remainder of the sessions leading up to the release of their next album. On August 22, 1969, The Beatles would perform the song on The Tonight Show Starring Johnny Carson, with universally positive reviews from everyone watching. The song's B-side "You Know It Ain't Easy" would receive minor backlash for using the word "Christ".

Following the hype of the Moon landing and the smash success of their latest single, the band decided that their next album's concept would be space-themed. Songs written before the decision would be mixed in with songs after to make one cohesive statement that the band could be proud of. McCartney had producer George Martin and his orchestra work overtime to capture the feeling of space and all its majesty. Songs were worked and reworked multiple times during the sessions to make sure every aspect was perfect. McCartney would later say he hadn't felt this good about an album on release since From Liverpool.

It was also McCartney's idea to throw some unused song ideas he had lying around into a side-length medley that would close the album. Lennon would throw some of his old ideas, dating to their trip to India, into the mix, and Bowie would write some new bits of his own to include. The medley would be well received for how each song nicely transitioned to the next without sacrificing any details. Due to Bowie's massive backlog of songs that Lennon and McCartney allowed for him to add to the album, George Harrison would feel more pushed to the corner then he had ever been before. For the first time ever, Bowie had more songs then Harrison, despite Harrison being the senior member. This would negatively affect his stance towards working with the group for some time.

Finally, on November 14, 1969, the album Space Oddity released. It was immediately met with universally positive reviews from everyone, citing its cohesiveness and its simple sound compared to their previous outings. Retrospectively, it is still considered one of the greatest albums of all time, alongside the likes of From Liverpool and Ziggy Stardust. People consider this album to be the exact point in which David Bowie became a strong and confident songwriter and even a star in his own right. Following its release, the Beatles would take a good half-year to themselves before returning to the studio to record another masterpiece.

THE BEATLES - SPACE ODDITY
Released: 14 November 1969
Genre: Pop rock, art rock, baroque pop, folk rock, psychedelic pop
Producer: George Martin

Side A
Because
Space Oddity
Something
Every Night
Letter to Hermione
Jealous Guy
All Things Must Pass

Side B
Come Together
Two of Us
God Knows I'm Good
Hot as Sun/Glasses
Octopus's Garden
I Want You (She's So Heavy)

Side C
Here Comes the Sun
An Occasional Dream
The Long and Winding Road
Across the Universe
Cygnet Committee

Side D (The Space Oddity Medley)
You Never Give Me Your Money
The Supermen
One Sweet Dream
Here Comes the Sun King
Come and Get It
Right On, Mother
Mean Mr. Mustard
Polythene Pam
Black Country Rock
Bathroom Window
Golden Slumbers
Carry That Weight
The End
Blue Moon [hidden track]

Track list sources:

For Sides A-C, all of Bowie's songs are from Space Oddity, and the Beatles' songs are from Abbey Road, Let It Be ("Two of Us" is from Naked), McCartney, Imagine and All Things Must Pass.

For Side D, all songs segue into the next one. All tracks from the medley on Abbey Road are used, as well as "The Supermen" and "Black Country Rock" from The Man Who Sold the World, "Come and Get It" from Anthology 3, and "Right On, Mother" from Divine Symmetry. A mix is in the works so that the entire thing can be listened to without any editing from the reader's part. "Blue Moon", a hidden track, is from the 50th Anniversary edition of The Beatles.

Back cover

The Beatles - Get Back (1969)

The Beatles were in turmoil at the beginning of 1969. Along with the failure of Unfinished Music and the constant bickering between members, it was Paul McCartney's new idea for a television documentary that pushed them over the edge. McCartney had wanted to return the band to live performances following the turmoil from the previous year, but John Lennon and George Harrison were not favorable to this idea at all. McCartney's dominance, Lennon's reluctance and Harrison's aspiring songwriting skills made working together impossible, and their long time producer, George Martin, took off from most of the hostile sessions. In the middle of all of this were the Beatles other two members, Ringo Starr and David Bowie. Compared to the other three, they were willing to go along with whatever the group consensus was. But seeing as there was no group consensus, Bowie decided to do something about it. When Harrison threatened to leave the group, Bowie helped calm his nerves, and he returned to the group before there could be a falling-out. With Bowie being seen as the middle-man, Lennon and Harrison became more open to McCartney's live performance idea, as well as recording for the album that would release thereafter. Bowie would be rewarded for his achievements in the near future.

McCartney's live performance idea would pay off. On January 20, 1969, after a dress rehearsal just two days before, The Beatles would perform a single concert at the Palladium. It would be their first performance as a fivesome, with this being the largest concert Bowie had every performed at thus far. The concert was a smash success and boosted the band's morale ten-fold. By then, most of their upcoming album had been completed. The album would be have a rawer sound compared to their earlier work, with the closest comparison being to the White Album. The album would produced by George Martin as well as Glyn Johns, a first for the band.

The album would be released on April 25, 1969, exactly two weeks after their latest single "Get Back" / "Don't Let Me Down" had released. It was met with success both commercially and critically, but not to the Beatles usual standards. It didn't matter to them, however. The Beatles, with a little help from their newest bandmate, felt like a whole again and were at the top of their game. For their next album, McCartney pleaded with George Martin to have him produce again. Martin replied "Only if you let me produce it the way we used to".

THE BEATLES - GET BACK
Released: 25 April 1969
Genre: Blues rock, pop rock, roots rock, folk rock
Producer: George Martin, Glyn Johns

Side A
One After 909
All I Want Is You
Oh! Darling
Old Brown Shoe
I've Got a Feeling
Did You Ever Have a Dream
Get Back

Side B
Don't Let Me Down
Not Guilty
Teddy Boy
Janine
For You Blue
Can You Dig It?
London Bye Ta-Ta
Get Back (Reprise)

Track list sources:

"One After 909", "All I Want Is You" (Dig a Pony), "I've Got a Feeling", and "For You Blue" are all sourced from Let It Be... Naked, and "Can You Dig It" and "Get Back (Reprise)" are the 1969 Glyn Johns mixes from the Super Deluxe edition of Let It Be. The rest of the Beatles' songs are sourced from Abbey Road, Past Masters, Anthology 3 and McCartney. For Bowie's songs, "Did You Ever Have a Dream" is sourced from The Deram Anthology 1966-1968, "Janine" is from Space Oddity, and "London Bye Ta-Ta is from Bowie at the Beeb.

The Beatles - Yellow Submarine (1969)

Yellow Submarine was the Beatles' fourth film and the first that was animated. Due to the band not even voicing their own characters, the movie has very little to do with the band, except for the band's likeness and their music. The Beatles had asked to supply three new songs for the movie, with them making use of their past material to pad out the rest of the film. All three "new" songs the Beatles brought to the table had been outtakes from 1967 and 1968. Even though the companion album released after all three of their 1968 albums, on January 13, the entire project had been recorded beforehand. It was not seen as a significant release by the band and the public. Curiously, while in Britain it was released as a double EP, it was released as an LP in the US, with songs from the film on the A-side and non-album singles going on the B-side.

THE BEATLES - YELLOW SUBMARINE
Released: 13 January 1969
Genre: Pop rock, psychedelic rock, psychedelic pop, hard rock
Producer: George Martin

Side A
Yellow Submarine
Sgt. Pepper's Lonely Hearts Club Band
Hey Bulldog
It's All Too Much
Sgt. Pepper's Lonely Hearts Club Band (Reprise)
All You Need Is Love

Side B
Lady Madonna
Karma Man
Baby, You're a Rich Man
Revolution
Hey Jude

Track list sources:

All of the Beatles' songs are from Yellow Submarine, Sgt. Pepper's Lonely Hearts Club Band, Magical Mystery Tour and Past Masters, with "Yellow Submarine" being the Highlighted Sound Effects version from the Super Deluxe edition of Revolver. "Karma Man" is sourced from The Deram Anthology 1966-1968.

The Beatles - Unfinished Music (1968)

Unfinished Music was the Beatles' third and final album of 1968, releasing December 20. Unlike the previous two albums, this released on Zapple Records, an Apple Records subsidiary meant for spoken word and avant-garde recordings, of which Unfinished Music certainly is. The entire album, mostly commandeered by John and George, is a mix of out-there band songs that didn't fit the mood of either of the last two albums and solo recordings with little to no structure made for the fun of it. It was also their first album to be self-produced (it was still co-produced by their regular producer, George Martin). Predictably, while the album charted, it did horribly commercially and critically, with critics not getting the avant-garde nature of it all. The back cover features a quote from George Martin: "No comment". Following the release of this album, the Beatles took a few weeks off from music-making before setting off on their next project.

THE BEATLES - UNFINISHED MUSIC
Released: 20 December 1968
Genre: Experimental, experimental rock, music hall, novelty, musique concrète
Producer: The Beatles, George Martin

Side A
Wild Honey Pie
You Know My Name (Look Up the Number)
What's the New, Mary Jane?
Revolution 2

Side B
(You're So Square) Baby I Don't Care
Under the Mersey Wall
Please Mr. Gravedigger [hidden track]

Track list sources:

"Wild Honey Pie" and "Revolution 2" (Revolution 9 in our timeline) are sourced from The Beatles, with "(You're So Square) Baby I Don't Care" being from its 50th Anniversary edition. "You Know My Name (Look Up the Number)" is from Past Masters, "What's the New, Mary Jane?" is from Anthology 3, Under the Mersey Wall is from George Harrison's Electronic Sound, and "Please Mr. Gravedigger" is from David Bowie's self-titled 1967 album.

The Beatles - Mad Day Out (1968)

The Beatles' second album of 1968 was Mad Day Out, named after the photoshoot they had done a few months back, and it was released just two months after their last on November 22. This album was more in line with what fans wanted out the band during this time, heavier songs and soundscapes that rivaled other artists such as the Rolling Stones and Jimi Hendrix. "Revolution", a new song by John, was considered for this album but was instead made a B-side for "Hey Jude", which released in September, due to time constraints. It did just as good, if not better, than the White Album and continued their success as well as their musical progression. However, not everybody was positive. The New Left criticized the band for seemingly avoiding political and social issues of the day with pastiche and eclecticism, and many critics gave low marks to Bowie's two songs for being soft and unfitting compared to the rest of the album.

It was during the recording sessions for the White Album and Mad Day Out that the band played an extended jam session of "Revolution". John and George then overdubbed it and added tape collages and spoken word extracts to make a new, finalized product. John wanted to include it on one of the two albums, but Paul argued that it wouldn't fit either due to its avant-garde nature. Following some back and forth bickering between the two, it was decided that there would be a third album released in 1968 that would avant-garde in its entirety, with "Revolution 2" (as it was now called) as its center point.

THE BEATLES - MAD DAY OUT
Released: 22 November 1968
Genre: Pop rock, hard rock, baroque pop, blues rock
Producer: George Martin

Side A
Back in the U.S.S.R.
Glass Onion
Ob-La-Di, Ob-La-Da
Let Me Sleep Beside You
I'm So Tired
While My Guitar Gently Weeps
Happiness Is a Warm Gun

Side B
In the Heat of the Morning
Savoy Truffle
Don't Pass Me By
Piggies
Birthday
Yer Blues
Helter Skelter

Track list sources:

All of the Beatles' songs are sourced from The Beatles, with Bowie's two songs being sourced from The Deram Anthology 1966-1968.